457 x 487 cms. Pen and ink, spray paint, air-brush, acrylic gesso and industrial sander on 12 sheets of 400gsm watercolour paper. 2021.
The piece is shown at Studio-KIND, North Devon, UK in the exhibition “Media, Matter and Energy.” 2021.
457 x 487 cms. 457 x 487 cms. Pen and ink, spray paint, air-brush, acrylic gesso and industrial sander on 12 sheets of 400gsm watercolour paper with black mapping pins. 2021.
The piece is shown at Studio-KIND, North Devon, UK in the exhibition “Media, Matter and Energy.” 2021.
270 x 1700 cms. Pen & ink, acrylic gesso, spray paint, air-brush and industrial sander with black and red mapping pins on 30 sheets of 400gsm watercolour paper.
The piece is shown at the Beacon Museum, Cumbria, UK in the exhibition “Point to Line to Particle”. 2022.
5 pieces. Each 250 x 280 cms. Pen and ink, spray paint, acrylic printing, acrylic gesso and industrial sander on sheets of Arches rough 300 gsm paper. Exact dimensions and layout of each piece varies according to location. 2022-2025.
The pieces are shown at Forum Exposition Bonlieu, Annecy, France in the exhibition “Reality is not what it seems.” 2022. Also at Stryx Gallery,Birmingham, UK in the exhibition “Rhythmical: Paper Chase.” 2025.
110 x 700 cms. Pen and ink, acrylic spray paint, gloss varnish and sander on 300 gsm Bockingford hot pressed paper with transparent black and red mapping pins. 2022.
The piece is shown at the Beacon Museum, Cumbria, UK in the exhibition “Point to Line to Particle” and at the Forum Exposition Bonlieu, Annecy, France later the same year in 2022 in the exhibition “Reality is not what it seems.”
110 x 400 cms. Pen and black, red and blue ink and sander on 200 gsm Fabriano hot pressed paper with transparent, black and red mapping pins. 2022.
Dimensions variable in the case of the horizontal LINAC pieces as sheets are added on either end depending on display situation referencing the accumulation of data of collision events from the particle detectors.
The piece is shown at the Beacon Museum, Cumbria, UK in the exhibition “Point to Line to Particle” and in enlarged format at the Forum Exposition Bonlieu, Annecy, France later the same year in 2022 in the exhibition “Reality is not what it seems.”
110 x 180 cms. Pen and black, red and blue ink on 90 gsm Fabriano hot pressed paper. 2022.
Dimensions variable in the case of the horizontal LINAC pieces as sheets are added on either end depending on the display situation referencing the accumulation of data of collision events from particle detectors.
This piece has 5 sheets completed at present which can form a LINAC of 110 x 480 cms but only 3 were exhibited in this divided fashion at “Reality is not what it seems” at the Forum Exposition Bonlieu, Annecy, France
80 x 450 cms. Pen and ink on Bockingford smooth paper, collage pieces using the interaction of acrylic gesso and black acrylic, black, red mapping pins. 2019.
Dimensions variable in the case of the horizontal LINAC pieces as sheets are added on either end depending on the display situation referencing the accumulation of data of collision events from particle detectors.
The piece is shown at the Library of Birmingham in the exhibition “Collision Event.” 2019.
250 x 450 cms. Pen and ink and spray paint on Arches rough paper with transparent, black and red mapping pins. 2019.
The piece is shown at the Library of Birmingham in the exhibition “Collision Event.” 2019.
Dimensions variable, site specific collage with item from historic physics collection and ink on sheets of primed tissue paper with black and red mapping pins. 2018.
The piece is shown at the University of Birmingham in the exhibition “The Sketchbook and the Collider.” 2018.
60 x 80 cms framed. Pen and ink on layers of primed tissue paper. Originally a series of 9 exhibited under the title “Collapse of the Wave Function.” 2018.
The pieces were shown at the University of Birmingham in the exhibition “The Sketchbook and the Collider” 2018 and at the Library of Birmingham in the exhibition “Collision Event.” 2019.
Three are now in the collection of Research and Cultural Collections at the University of Birmingham. One in the collection of Professor Kostas Nikolopoulos and another in the collection of photographer Marcin Sz.
Four available.